Showing posts with label art studio. Show all posts
Showing posts with label art studio. Show all posts

Saturday, August 17, 2013

Moving in all directions...the state of the studio

As most of you know, I work in a variety of mediums, often at the same time, which precisely describes the work currently taking place in the studio

A wonderful thing about the mind is that, unlike an object, it can move in all directions at the same time.  Well – at least that’s what my mind feels like it has been doing recently, moving forward, backward, and sideways. 

I have started working on a large acrylic landscape, and after a nine-month hiatus from this medium I find myself thinking and planning the work with different expectations, wanting to improve upon all the work that came before.  I imagine that I am seeing things differently.  If last year’s paintings were good, this years should be better.  Moving forward in the process as well as the vision.



acrylic work place...under Delia's watchful eyes
At the same time, I will be working on an architectural portrait in watercolor, and my goal is to render the work in manner reflecting the highest quality I have already established for myself in this genre.  I am not looking for something new.  Moving sideways over familiar well traveled ground.
 
 
Watercolor cart - I work on larger watercolors on the surface covering the clay plate.
And while the above work is going on, I continue working on the simple pen and ink drawings, so reminiscent of the past, going back to old haunts for inspiring subject matter.  Moving backwards, trying to recapture some of the spirit and excitement that motivated my art thirty years ago.

Drawing station with cart containing pens, pencils, markers, and pastel pencils. I also work on small watercolors here.
 The carts give me a great deal of flexibility in adjusting to the nature and size of the artwork.  


east wall
large multi-use table on west wall

Sunday, May 3, 2009

MY MAN CAVE?



One of our dear neighbors has a "man cave" in the back yard, a combination car port, work shop, and grilling patio. It is his retreat, where he can drink his beer, entertain friends and family, or tinker with his cars and bike. A fifty something Studebaker sits out there under wraps awaiting his promised attention. It is difficult for me to imagine Ed without thinking of his special space.

One of the many blessings in my life has been the good fortune to always (well, almost always) have that special place for myself regardless of where I was living. On the farm in Maryland, before our trek to Paducah, it was a very spacious studio in the rear of one of barns, an unpretentious 35x100 foot cinder block pig barn. The space was large enough for me to pursue a life long interest in model trains with a 15x15' layout, something I had to sadly abandon with the move to KY. Before that my studio was a very tiny space I rented in a friends home that had its own entrance from the street in a lovely urban neighborhood in Wilmington Delaware.

It is only recently that I began to think of my studio as my "man cave". Experiencing the inevitable ebb and flow of creative ambition, I find myself spending more time not making art than I do making it, reading, napping (Oh how I wish I had room for the old sofa that was in the Maryland studio!), writing, on my laptop, or just plain day dreaming and listening to music. I probably spend at least 75% of my waking hours in the studio; I'm in there 7 days a week. My friends consider me a very prolific artist, but I don't agree. I create a lot of work because I'm always in the studio, even though much of the time is spent doing whatever.

I wish I had room for my trains.

Saturday, June 28, 2008

ALMOST THERE

I won’t swear to it, but I think I saw a muse peeking in a studio window a few days ago. It is getting to be about the time when they reappear so I’m doing what I can to be ready.

I have been using this time to make some changes in the studio, creating some much needed space by removing one of my two large drafting tables. This will create more open space and room for the two easels I work on, which I’m always dragging across the floor to make room for one thing or another. The space will prove to be important for both ergonomic and psychological reasons.

My new watercolor work station is set up and ready to rock and roll. For the past 2 days I’ve been looking through old photos and slides and making some thumb nail sketches of possible compositions. I can feel the some stirring in the “lets make art” part of my brain.


Before


work in progress


New work area





New water color work station...formerly Harvey's work area. Now that he has arrived in San Diego I can begin to use it.