The daily dose of art THE SKETCHBOOK

Another day in the past, at least for the next few minutes.

 Another horse show

 Between flights

Trinity church - Boston

THE DAILY URBAN LANDSCAPE #45 HARVARD

I went to Harvard, or at least near Harvard.  I see no reason to leave Boston after only one day, and I really enjoyed walking around Cambridge with my sketchbook those many years ago.  All of the drawings were done on the spot with a Parker 45 fountain pen.

The Harvard Lampoon

Oxford Ale House

Entrance to Harvard Yard

THE DAILY URBAN LANDSCAPE #44 BOSTON

It's a short drive from western Massachusetts to Boston, a city that has so much meaning for me.  Yesterday I posted a painting of Cambridge UK; today one of my posts will be a drawing from Cambridge, MA.

Boston from across the Charles River

Beacon Hill

Cambridge

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1976 – I was 37 years old and the country was celebrating its Bicentennial. Amy was 11 years old, Beth 7, and Sara 5.  My medical practice of 5 years, which had been a source of unbridled pleasure and satisfaction, was beginning to lose its luster, as my mental, emotional, and spiritual wellbeing began to gradually decline.  Unknown to me at the time, this was the beginning of a journey that would take me to places I never could have imagined.

State law required all physicians to complete a number of continuing medical educations hours (CME) in accredited courses every two years, and I was registered in an Oncology review course at the Massachusetts General Hospital in Boston.  I arrived at the conference hall for the 9 a.m. session, and was confronted by an all too familiar CME environment: a large hall with tables set up in rows facing the lectern and a large screen, and smaller tables on the sides of the hall with coffee, tea, and water.  Each registrant was given a syllabus with a daily schedule lectures and an outline of each presentation, along with a pad of paper and one or more very sharp pencils.  The lights were dimmed, the first slide projected on the screen, and the speaker began to read…directly from the slide, the same slide that is in the syllabus.  It takes less than 10 minutes for the sleep inducing boredom to set in; this is the last place on earth I wanted to be on that day, and after 30 excruciating minutes I got up and walked out, and did not return for the remainder of the 3-day course.

I walked back to the hotel to get my canvas shoulder bag with my faithful Parker 45 fountain pen and sketchbooks, and set out to explore the city.  And explore it is exactly what I did, walking through every section and neighborhood of Boston over the next 2 days.  On the third day, I took the train across the Charles River and experienced Cambridge and the Harvard campus.  I loved every minute of every day; quite remarkable for someone who was not fond of traveling and sight seeing, and dining alone.  It was more than just the visual delights of the city’s e urban landscape that captivated me; I was experiencing an incredible sense of being centered within myself.  Everything was as it should be in my small world.  I was doing what I was intended to do.

Those three days in Boston 36 years ago were to mark the beginning of an incredible journey, taking me through the most intense years of my life.  Four years later I would make the decision to leave my practice and pursue a life as an artist.

BOSTON - a weekend that changed my life

1976 – I was 37 years old, the country was celebrating its bicentennial, and my wife, at age 34, was studying for the law school entrance exams.  Amy was 11 years old, Beth 7, and Sara 5.  My medical practice of 5 years, which had been a source of unbridled pleasure and satisfaction, was beginning to lose its luster, as my mental, emotional, and spiritual well being began to gradually decline.  Unknown to me at the time, this was to be the beginning of a journey taking me to places I never could have imagined.

State law required all physicians to complete a certain number of continuing medical educations hours (CME) in accredited courses every two years, and I was registered in an Oncology review course at the Massachusetts General Hospital in Boston.  I arrived at the conference hall for the 9 a.m. session, and was confronted by an all too familiar CME environment, large hall with tables set up in rows facing the lectern and a large screen, and smaller tables on the sides of the hall with coffee, tea, and water.  Each registrant is given a syllabus with a daily schedule lectures and an outline of each presentation, along with a pad of paper and one or more very sharp pencils.  The lights are dimmed, the first slide is projected on the screen, and the speaker begins to read…directly from the slide, the same slide that is in the syllabus.  It takes less than 10 minutes for the sleep inducing boredom to set in; this is the last place on earth I want to be on this day, and after 30 excruciating minutes I get up and walk out, and will not return for the remainder of the 3-day course.

I walked back to the hotel to get my canvas shoulder bag with my camera, pens, and sketchbooks, and set out to explore the city.  And explore it is exactly what I did, walking through every section and neighborhood of Boston over the next 2 days.  On the third day, I took the train across the Charles River and experienced Cambridge and the Harvard campus.  I loved every minute of every day; quite remarkable for someone who was not fond of traveling, site seeing, and dining alone.  It was more than just the visual delights of the city’s remarkable urban landscape; I was experiencing an incredible sense of being centered within myself.  Everything was as it should be in my small world.  I was doing what I was intended to do. 

Those three days in Boston 36 years ago were to mark the beginning of an incredible journey, taking me through the most intense years of my life.  Four years later I would make the decision to leave my practice and pursue a life as an artist.

A BOSTON SKETCHBOOK

A few more sketches from Boston/Cambridge.

DRAWING BOSTON

It has been a very long time since I went out in the streets with my pen and drawing pad, and when I look at some of these old sketches of mine, and the work of other artists who go “out there”, I wonder why I don’t do that again. Well, actually I don’t wonder why, because I know why; I am far too comfortable in the studio. But I make myself feel better by believing that it is only a matter of time before I return to the streets.

If I had to point to one event or experience that radically changed my life it would be the 3 days I spent in Boston in November, 1976. I was there for an oncology seminar at the Mass. General hospital, but left the conference after the first hour and never returned. Instead I spent the next 3 days walking all over the city with my pen and sketch book drawing everything and anything that interested me. It is difficult for me to describe all that I felt, but I knew something significant was happening to me and to the way I saw my life and my world. Medicine would no longer reign supreme

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All sketches were done with a Parker 45 fountain pen