I've spent the past week preparing the gallery for a new exhibit, which means removing all the work currently in the gallery, AND, finding a place for them in the studio. It always appears to be an impossible task, but somehow it gets accomplished.
Below are some photos of the gallery with the new show in place. Because of space limitations I am forced to take a Salon style approach, hanging the paintings together, rather than giving each one its own space.
The exhibit will be up through the rest of the year, with an opening reception on Dec. 8, from 5 to 8 PM.
Thursday, November 22, 2012
Wednesday, November 21, 2012
I NEVER IMAGINED
That Cauliflower and
Brussels sprouts would be the foundation of a great pasta dish. I suppose this only proves that we are
never too old to learn something new.
It began when P and I
decided to pursue a more plant based diet, which meant scrambling for new
dishes to replace our usual fare…pasta with a little of everything else. Over the past few months I’ve been
learning new ways to prepare both familiar and unfamiliar ingredients. We’ve even gone so far as to learn to
enjoy whole-wheat pasta!
The current edition of
La Cucina Italiana contained a recipe for a pureed Cauliflower soup served with
sautéed Brussels sprouts. I tried
it 2 nights ago and it was quite good, something we would certainly have again,
which we did last night, but in a slightly different setting.
We were going to the
theater to see West Side Story, and I wanted something quick and simple to
prepare for an early dinner.
Normally this would have been pasta with aglio olio crudo, but since we
were limiting our olive oil intake that was not an option. Browsing the contents of the fridge I
saw the leftover soup, which had thickened a bit overnight, and the dinner
question was resolved.
The Cauliflower-Leek
soup with Brussels sprouts made a perfect sauce for Al Dente Pasta brand egg
Pappardelle, served with freshly grated Parmigiano cheese.
I look forward to trying
this again with other pureed soups.
INGREDIENTS:
Cauliflower – small
florets
Leek – white and light
green stem cut crosswise into thin slices
Olive oil
Salt
Vegetable broth
Brussels sprouts
Whole milk – (I used fat
free)
Fresh Dill
PROCESS:
Cook the Leek and
Cauliflower in the broth, salt, and milk until the Cauliflower is soft, about
30 minutes. Puree and keep warm.
Cook the Brussels
sprouts in boiling water for 5 minutes, drain and cool in cold water, and cut
into quarters. Place them in a
skillet with olive oil and salt and cook until they start to turn a golden
brown.
Sunday, November 18, 2012
PREPARING FOR 5 AT 5
I've decided that for my last event in the gallery for 2012 I will combine new work with selected older pieces to show 5 years of imaginative landscape paintings. Initially it was conceived as an exhibit of works on canvas, but I haven't ruled out including other media. The unifying theme of the exhibit will be the use of abstraction in creating an objective vision.
I literally stumbled on this process when I first started working with acrylics on canvas and panels almost 7 years ago. On my very first attempt with the media I discovered I could not do the necessary brush work to create the image I wanted, and out of frustration more than anything else, I began working with the palette knife, and after pushing the paint around for what seemed like forever, the result was a landscape I really liked.
Dark Forrest was my first...and I have continued to use the same approach on selective paintings since then.
I hope to have the show up and ready by Thanksgiving. The opening reception will be Saturday, December 8, from 5 to 8 P.M.
Of course none of this will happen until I find a place for all of the paintings currently in the gallery...my ongoing struggle for space.
I literally stumbled on this process when I first started working with acrylics on canvas and panels almost 7 years ago. On my very first attempt with the media I discovered I could not do the necessary brush work to create the image I wanted, and out of frustration more than anything else, I began working with the palette knife, and after pushing the paint around for what seemed like forever, the result was a landscape I really liked.
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| Dark Forrest...30c49 |
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| Add caption |
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| Transitions...12x24 |
Of course none of this will happen until I find a place for all of the paintings currently in the gallery...my ongoing struggle for space.
Monday, November 12, 2012
FALLING IN LOVE WITH BUTTERNUT SQUASH
It is still early in the
relationship, but I have a strong sense that it is going to grow into something
very special. We were meant for
one another, and I can imagine the day when it proudly stands along side of pasta
and me. (Let me assure everyone
that my relationship with pasta is very secure and will not be threatened by
the squash.)
My first personal
encounter with BNS was during our pasta quest, when I used it to make a filling
for ravioli; it was a passing affair, and only recently have we begun a more
sustained relationship as Patience and I have shifted to a more plant based
diet. Currently we are on soup
kick, combining the BNS with carrots and sweet potatoes, and creating a variety
of soups by adding salmon or smoked salmon (really good!), toasted Kale flakes,
or serving the soup over slices of roasted cabbage. Of course the variations are unlimited, and always served
with fresh graded Reggiano Parmigiano cheese.
I must confess that for a
while I was feeling pretty bad, thinking I was cheating on my pasta, but then I
remembered the threesome we shared, and once more all was well in our kitchen.
MORE FAVORITES
Grain elevator...pastel & ink...30x20...1997
Purple Majesty...oil pastel...16x32
Bucks Co. Playhouse...watercolor...20x30...1989
Philadelphia Art Museum...watercolor...15x42...1990
Purple Majesty...oil pastel...16x32
Bucks Co. Playhouse...watercolor...20x30...1989
Philadelphia Art Museum...watercolor...15x42...1990
Sunday, November 11, 2012
MY PERSONAL FAVORITES
Periodically I will browse through photos of old work to remind myself of how my work has evolved; it is a bit sobering to see that some of the older work is as good as, and occasionally better, than the newer stuff. I imagine that is the case for many artists and craftsmen, regardless of their field. In the five year history of this blog I think I've posted images of most of the work I have completed in the past 35 years.
Over the next several posts I will be showing some of my personal favorites.
NYC Skyline...pastel...30x40...2000
Philadelphia Merchants Exchange...watercolor...20x30...early 1980s
Behind the Strand...watercolor...20x30...circa 1990
Gray Smokestacks...pastel...20x30...circa 1995
Blues in the night...watercolor...30x40...early 1980s
Over the next several posts I will be showing some of my personal favorites.
NYC Skyline...pastel...30x40...2000
Philadelphia Merchants Exchange...watercolor...20x30...early 1980s
Behind the Strand...watercolor...20x30...circa 1990
Gray Smokestacks...pastel...20x30...circa 1995
Blues in the night...watercolor...30x40...early 1980s
Friday, November 2, 2012
ADDING TO THE SERIES
I have 3 more "do-overs" to share with you today.
The first is a 16x40 canvas that was part of a diptych I created several months ago and was never really happy with the results. I covered both canvases with black gesso and began working. Here is the first one I finished:
the new...untitled 16x40
the old
Also, two more small, mixed media landscapes complete the series, for now.
#10...9x12
#9...8x10
The first is a 16x40 canvas that was part of a diptych I created several months ago and was never really happy with the results. I covered both canvases with black gesso and began working. Here is the first one I finished:
the new...untitled 16x40
the old
Also, two more small, mixed media landscapes complete the series, for now.
#10...9x12
#9...8x10
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